Monday, December 10, 2007





INT. MOTEL, HOLLYWOOD BLVD - NIGHT

Lawrence sits up in bed. Listens to the traffic out his
window.

LAWRENCE (V.O.)
May 15th, 2007. Arrived in Los Angeles
day. Barely had time to unpack the
contents of the trunk into our new home
before Cecily passed out. We've got a
ton of work ahead of us. And I don't
know what I'm doing in this fucking town.

Lawrence hears a lot of yelling outside his door. He
jumps up to check the lock.

FADE OUT:



TITLE: "SAVINGS: $4,000"



INT. CAR - DAY

Lawrence and Cecily drive around West Hollywood. It's
hotter than hell and Cecily is doing the driving.
Lawrence looks like he's about to puke.

CECILY
You okay?

LAWRENCE
Huh? I'm fine. That last one was too
small.

CECILY
Yeah and the carpet was nasty.

LAWRENCE
I feel like this isn't our neighborhood.

CECILY
Well, I don't know where our neighborhood
is.
(turning the wheel hard)
I don't even know where I am right now.



INT. PROSPECTIVE APARTMENT, SILVER LAKE - DAY

Cecily and Lawrence walk in. Cecily is immediately
smitten with the place.

CECILY
(to owner)
Hi, I'm Cecily. This is my boyfriend
Lawrence.

OWNER
Terrace is through there. We're redoing
the cabinets by the first of the month.

Lawrence walks behind the Owner and gives a slice across
the neck motion with his finger.



EXT. STREET, SILVER LAKE - DAY

They walk to their car.

CECILY
What was wrong with that one?

LAWRENCE
It had a weird feeling to it.

CECILY
But it had a great view.

LAWRENCE
Well, I'm not paying thirteen hundred for
a view of some damn reservoir. It's not
even a real lake!



INT. HOTEL - NIGHT

Cecily sits awake, sorting through endless apartment
listings.

Lawrence does pushups on the floor in front of the bed.

LAWRENCE
Up. And down.

CECILY
I don't know. I've already seen all
these damn listings.

LAWRENCE
You can take a break if you want.

CECILY
I can't. If I don't get a list I have no
one to call tomorrow and we have nothing
to do.

LAWRENCE
Lets go see Hollywood. We're in
Hollywood for fuck's sake! Lets look for
apartments tomorrow.



EXT. HOLLYWOOD BLVD - DAY

Lawrence and Cecily are just your average everyday
tourists. They walk over the Hollywood walk of fame
stars. Always looking down, reading names.

LAWRENCE (V.O.)
Hollywood is immediately a misnomer.
It's not what it purports. About sixty
years ago, Hollywood had studios and
agents, people made their fortunes
between Vermont Ave and La Brea. Now
those people are retired and the folks
that took their place moved to Beverly
Hills, Westwood and other neighborhoods I
haven't learned yet. What's left is 10
miles of star sidewalks a few souvenir
stands and a shit-load of fetish clothing
stores.

CECILY
I haven't recognized a single name on any
stars.

LAWRENCE
I've never seen so many strip clubs on
one street.

CECILY
Oh there's Spike Jones!

LAWRENCE
I don't think that's the same Spike
Jones.



INT. NEW APARTMENT, BEDROOM - NIGHT

Lawrence and Cecily lay awake on a blow up mattress that
still has sand in it from camping on the beach.

CECILY
Do you want one?

LAWRENCE
What?

CECILY
A star? On Hollywood Boulevard.

LAWRENCE
No way, Michael Jackson's got like 3.
They give them away once you're done, and
tourists can't recognize your name as
they're disappointed on the single most
bull shit tourist attraction in all of
Los Angeles. I'd rather they forget I
was ever here.

After a long while.

CECILY
It'll get better. Just wait til we start
meeting people.

LAWRENCE (V.O.)
Cecily was aware that I hated L.A. way
before I was. Maybe it was how I freaked
out our first trip to Trader Joes that
tipped her off. I was trying to make the
best of it. She didn't have to. She
loved this town before she ever got here.

FADE OUT:

TITLE CARD: 3 THOUSAND DOLLARS LATER

FADE IN:



INT. BEDROOM - DAY

Lawrence and Cecily put together their new bed. Which
is, very obviously IKEA.

The wall's are an indigo-grey now.

CECILY
I called about another job. I'll find
something soon, I promise.

LAWRENCE
Yeah, I've got to transfer all the money
into some kind of low-interest credit
card.

Cecily works on her screw, ignoring the money talk.

CECILY
Do you want to go to a bar? I found a
few that I'd like to check out in the
L.A. Weekly.

LAWRENCE
I don't know. I'm feeling a little broke
this month.

CECILY
Okay.



INT. APARTMENT, LIVING ROOM - NIGHT

Lawrence is online, late. He looks for jobs.

CU SCREEN: "WEB DEVELOPER NEEDED, PASADENA, CA"



EXT. SUBWAY PLATFORM - DAY

Lawrence is wearing a clean shirt. Calls Cecily.

CECILY
Hey Baby.

LAWRENCE
Hi, I didn't get the job. They wanted me
to write code on a white board in their
conference room.

CECILY
Jeez. I was hoping you'd come home
before I have to leave.



INT. APARTMENT, LIVING ROOM - DAY

Cecily walks around, holding her purse, her phone, a
sports bag full of clothes and the laptop.

CECILY
I'm printing directions to the Fox lot.
I have to leave soon.

LAWRENCE
Well, good luck.

CECILY
Thanks. Are you gonna be okay?

LAWRENCE
Yeah, you know. Just feeling unwanted
and alone.

CECILY
What? It's cutting out. Fucking T
Mobile.

LAWRENCE
I said I feel like a failure!

CECILY
I'm sorry, it keeps going fuzzy.

LAWRENCE
(yelling into the phone)
I'm not good enough. I'm feeling all
alone out here.



INT. APARTMENT, LIVING ROOM - DAY

Lawrence returns home. Sits at Cecily's laptop. On the
screen is a post-it note.

CU POST-IT NOTE:

"Hey baby, I was researching short film festivals and I
wrote a few down that looked cool."

Lawrence walks to the kitchen and opens up a beer.

Sits back down.

LAWRENCE (V.O.)
For a while now I've had this idea in my
head that my writing had special powers.
Whatever I write tends to come true. I
haven't written about anything except for
the past and fantastical things in so
long because of this power. I use it
sparingly.

LAWRENCE (CONT'D)
I could really use a little fairy
godfather advice right now...

Lawrence looks around. Walks to the other room.

LAWRENCE (CONT'D)
Hmm. Maybe he'll drop in unannounced
later.



EXT. LOS ANGELES - NIGHT

The city breathes. Wheezing the layer of smog.

Lawrence is on the roof. Video-tapes police helicopters.
Getting really tight close ups and following them.

LAWRENCE (V.O.)
I often think about the apocalypse.
Nothing biblical. Just catastrophe and
decline. I think about how I need to buy
a gun and stockpile food. But then I
wonder what I'd do, stuck in L.A. alone
with my gun and my food. I wouldn't
stay. I'd fucking leave. I'd go north.
Try and ek out a living far from the
epicenter.
(beat)
So the only thing keeping me in LA is the
fact that the world hasn't ended yet.



INT. APARTMENT, LIVING ROOM - NIGHT

Lawrence paces the floor. Suddenly, leaps into a
fighting stance. Whispers something quickly. Leaps over
the back of the couch.

LAWRENCE (V.O.)
I try to stay in the inspired mind. Let
my silly finances go and be creative.
They're gone anyway. The finances. I
understand why people are poor. They
have an idea of how they want to live and
they don't make enough, so they charge
it.

Somewhere in the distance the rapid clicking of a
thousands keyboards fills the night sky.

LAWRENCE (CONT'D)
And I've been thinking about energy too.
Not the global crisis kind. The new age
kind.

Lawrence sparks a bowl. Takes a hit.

LAWRENCE (CONT'D)
I think about the energy in this place.
This L.A. There's something going on at
night here. I reach my hand up and dip
my fingers into the creative outer
bibulum.

Lawrence flips up his laptop.

LAWRENCE (CONT'D)
And sometimes I use it to write. Other
times I look up words, I think I may have
just made up.

Lawrence googles "bibulum."

LAWRENCE (CONT'D)
Yep.



EXT. HOLLYWOOD FOREVER CEMETERY - NIGHT

It's summer and the cemetery is surprisingly inviting.

Lawrence and Cecily sit on a blanket and watch actors
perform Hamlet.

A young man (Hamlet) climbs out of a hole in the ground,
holding a skull in his hand.

LAWRENCE (V.O.)
I guess that may be why I haven't posted
a script-journal in so long. I've been
writing for real. I've got 5 years in
this city, starting May 15th 2007 to do
something about this career or I'm
forever giving up on it. And I've got a
reason to be successful now.

Cecily's eyes follow the actor's movements. Envious.



INT. APARTMENT, LIVING ROOM - NIGHT

Lawrence lays on the floor. His old video camera lays
with him. The view through the viewfinder is of plastic
explosives, under a leather coffee table.

On the other side of the coffee table. Cecily kneels on
the floor. Around her are make shift lighting from ikea
lamps.

LAWRENCE
So when you come down into position. I
want to see the light glint off your eye
just right before I do the zoom out. So
we're gonna do it a bunch of times to try
and get it perfect.

CECILY
Okay. So I just go down and look and
wait for you to say when to move.

LAWRENCE
Yeah. Okay, rolling... And down.

Cecily bends down to look under the coffee table.
Lawrence zooms out.

LAWRENCE (CONT'D)
And up. Okay, down.

Cecily repeats this.

LAWRENCE (V.O.) (CONT'D)
That's pretty much L.A., in 3 words.

FADE OUT:

LAWRENCE (CONT'D)
And up. Down.